So, I'm through with the second draft of my novel (+/-133,000 words) and I think I'm in danger of "fixing it until...
So, I'm through with the second draft of my novel (+/-133,000 words) and I think I'm in danger of "fixing it until it's broken." I'm going through it a third time just to make sure it flows properly and I find myself making changes I wonder if they really need to be made.
I'm having a friend test read it here shortly. She doesn't typically read the genre but she's a stickler for grammar and detail.
Does anyone else run across this? "Fixing it until it's broke?"
I'm having a friend test read it here shortly. She doesn't typically read the genre but she's a stickler for grammar and detail.
Does anyone else run across this? "Fixing it until it's broke?"
Comments
I've been re-reading short stories where I was previously happy enough with them to submit to online publications, but now I want to include them in a collection I'm re-reading, and anything from an alternate word choice to a disappearing paragraph are still happening now.
I even tweaked one that was good enough to be published online and nominated for a Pushcart Prize.
I guess there are no "perfect" combinations of words, so something slightly different tomorrow can scan just as well as what we decided on today.
Plus, if you read a traditionally published book very slowly (as if it were your own and you were redrafting/editing) I can often see little things I would tweak there.
I generally do a second draft where I fix the things that I already know are broken, spotted either while drafting (I keep a running list of things to fix or verify) or on that first re-read. That's the point where I need to get it in front of other eyes, because I'm just not going to be able to bring more to the table on my own.
Second: when you can't tell which is which from point #1, it's time to bring in an editor.